ProdA1 Film Studios prompt pack By@awansauce RollA004 Runtime0:23 LocPalm boulevard, LA

In two hundred feet, make a U-turn

The Flying U-Turn

I'm cruising down a palm-lined boulevard at golden hour. The navigation tells me to make a U-turn. I say all right. It takes that very literally. Here are the references and the prompts in film order, so you can make your own version. All clips were generated with Seedance 2.5 in TopView.

How to use

  1. Step 1: gather three image references (you, the car outside, the car inside) and two short voice clips.
  2. Step 2: run the five generations in order. Add the listed files as Omni References and type @ wherever the prompt says [tag … here].
  3. Step 3: cut it together with hard cuts. Every generation holds several shots, so trim each one tight and keep the pace fast.
The finished filmTap for sound

Step 1. References

Three images and two audio clips carry the whole film. Every generation pulls from the same set, which is what keeps you, the car and the voices consistent from shot to shot.

Your voice

Record 10 to 15 seconds on your phone in a quiet room, ideally inside a parked car so it has the same small, dry sound as the scene. Don't read the script lines; say something in three moods so the model hears your range:

(calm) "Just driving around LA today, grabbing a coffee, pretty chill afternoon."
(confused) "Wait. What? Are you serious right now?"
(panicking) "Hey! No, no, no, stop! What are you doing?!"
[tag your voice clip here]

The nav voice

A calm, smooth, completely unbothered voice, about 10 seconds long. Make it with any text-to-speech tool using a few lines of normal directions. Same rule: not the script lines. The flatter it sounds, the funnier the car gets.

"In half a mile, turn right onto Wilshire Boulevard. Continue straight for two miles. Your destination is on the left."
[tag the nav voice clip here]

Step 2. Generations

Guidelines from the edit bay

  1. Protect the face. Your reference sheet is the most important file here. Be explicit in your prompts about what must never change about you.
  2. Timing is the comedy. Give every line and every action its own time slot, and keep the gaps short. Dead air kills the joke.
  3. Fast comes from timing, not adjectives. Tight beats read as speed. Words like "fast" tend to come out janky.
  4. Say what you don't want. When a take goes wrong, the fix usually belongs in the AVOID list.
  5. Keep the camera simple when the action is wild. The crazier the car gets, the steadier the camera should be.
  6. Finish it in the edit. Zooms, speed changes and the final cut to black are edit decisions, not generation ones.

All five are 9:16. Test in Draft Mode, upgrade the takes you keep, and expect a few runs per generation.